Book of the World Courant CXXX

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CXXX

 

Luxorious ruins, tombs with a view, and nestled, cheek by jowl, around a privy pork

 

Luxor from Arabic al-quṣūr (القصور), “the palaces,” plural form of qaṣr (قصر), itself a loanword from the Latin castrum, “fortified camp.”

c.f., q.v. Seville’s ‘Alcázar’ from the Hispano-Arabic Alqáşr meaning “royal house” or “room of the prince,” with or without fortifications.

To nestle, from Old English nestlian “build a nest,” from nest.

Figurative sense of “settle (oneself) comfortably, snuggle.”

Comes into common use mid 16th century.

 

Nestling’s for the birds.

 

Next!

 

How many apes does it take to build an apiary?

None of your beezness!

 

Bur-log-esque

 

A comely vineland of the blind

A crony island of the Mine!

 

Denunce soblime as sea or not to see

 

Wi-fi upon ye!

 

Selfie stick: the new pilgrim’s staff

 

The Nars.

Something like the Blues, but different in qualities.

 

Symptoms of The Nars (aka Nars Syndrome) include, but are by no means limited to, a fixation on one’s image and an inability to restrain one’s performative impulses. E.g.: throwing one’s arms wide on the Brooklyn Bridge bike and pedestrian lane. Result: terrific Instagram® of you clocking a passing cyclist with the Freedom Tower in the background.

Some epidemiologists are reluctant to define The Nars as a pathology, citing it as a near-universal condition with no clear-cut cause. Others, however feel that a genuine public health crisis is at hand, and insist that the difficulty of addressing the syndrome clinically should not serve as an excuse for hiding one’s selfie – I mean head – up one’s bum – I mean in the sand.

 

Loves of a Kosmonaut

 

Torres y Flores, LLC

 

Alchemical, al the time

 

Fugitive, refugee, refusé

 

And the great migrations flux on

 

Current and undercurrent

 

Tide and tendency

 

Tendentious and (l)uxurious

 

Borne along on the tide of fluxury

 

Of the full Crow Moon

Sap Moon

Crust Moon

Worm Moon

 

Insurgent spring

 

There are trade unions

But mostly betrayed unions

 

I was a Red Fire Monkey

But not, o so not, for the FBI

 

Alchemical, al the time

 

Shibbolilith

 

Throwing lions to the Xtians

I wuz a prisoner of the Times

 

NicaBonitay.bwc

 

Apocrypha now!

 

Why is the past so tense?

 

History, herstory, whatever the gender – they’re stories

And the future is speculation

Whereas right now the hub is empty and the wheel can move in all directions.

 

One of our vacuums is missing

Alt.: One of our vacua is missing

But how does one determine such a thing?

And as for the wind, does it blow or suck?

 

Give me a vacuum strong enough and a firm place to stand and I will suck up the world! Unless Nature abhorts my scheme…

 

AMOQ = Another Manifestation of Qi

            As in running

 

The paisley pattern in printed textiles, derives, as it turns out, from the ancient Mir-i-bota, or leaf pattern used in many Iranian and other Oriental rugs. It was also used extensively in Persian shawls, from whence it migrated to Kashmir, and thence to Europe.

 

Who, whoever said that elephants


Were stronger than mules?


Come to the park and play with us


There aren’t any rules, in Paisley Park

The girl on the seesaw is laughing

For love is the color this place imparts


Paisley Park


Admission is easy, just say you believe


And come to this place in your heart

Sang Prince, oncet

 

Cognitive diffidence

 

GRANDMA KNOWS BEST

Vindicated at last: a scientific study has proven that Grandma Moses and other “primitive” painters were right: things in Nature do have outlines around them.

In a stunning rebuke to Da Vinci and Giorgione, the newly released report demonstrates conclusively that objects are surrounded by a fine, dark, measurable substance which researchers call “the border.”

“How so many generations of artists could have made such a gigantic error in seeing, and how they could have glossed over the absence of so essential an element of reality in their work remains a mystery,” said Fred Newberger, head of the MIT team that conducted the study.

Harry Van Nostrand, Chief Curator of European Painting at the Metropolitan Museum of Art, said that while the study was persuasive, the institution would need more time to evaluate its full implications. But Maurice Villefraud, his counterpart at The Louvre, confirmed that he had already assembled a task force to both assess and remediate the defects in the museum’s signature works. “Something,” he said, has been missing from the Mona Lisa. “It has always bothered me, others have been troubled too, and at last we know what it is.”

Nor is this the first time in recent history that The Louvre has responded decisively to a “real world” challenge generated from outside its doors. During the period of prolonged drought in Darfur, the museum removed, without fanfare, excessive moisture from the eyes of its 18th century oil portraits, notably those by the artist Vigeé Le Brun, in solidarity with atmospheric conditions in the Western Sudan. Conservators later restored the works to their prior condition. “We were glad to help allay the suffering,” said Mr. Villafraud’s predecessor, Guillaume Oudebord…

 

Chaîne kinematique, mon amour

 

Civic Fame; Love of Glory; Spirit of Commerce; Genius of Electricity; Pomona, Goddess of Abundance: why do you stand there like statues? Unfreeze, move your limbs and bodies, save us!

 

In-car-nation

 

If you hear a (Deng Xiao) ping! in your engine, it’s only a matter of time before she throws a rod

 

Out of the petit boudoir and into the hotbed of class struggle!

 

Look behind. You’re not there

Look ahead. Not their either

Nowhere to be found

Or not to be

 

Don’t break my harp!

 

Loss of proprioception in the individual leads, col tempo, to fantastic social imbalance

 

Give me a lever long enough and a firm place to stand, and I will move yo’ mama

 

What happens when social life itself becomes an assault on the organism?

 

In my clinic I frequently saw people who were misdiagnosed and treated ineffectively because of the tendency to try to reduce dysfunction to one factor that can be understood by modern imaging equipment, so that obvious alternative possibilities were overlooked. For example, numbness in the hands is a problem often attributed to a disc problem in the neck. Because many people over the age of thirty have a bulging disk in the neck that shows up on and MRI or X-ray, the assumption is that the disc is the problem, when far more often it is muscular and fascial imbalances causing neck and shoulder tightness that impinge on the thoracic inlet. [Tom Bisio, The Art of Ba Gua Zhang. New York: Internal Arts International, 2015. p. 96]

 

Folks sho’ do love to whup up them konflix!

 

Books to write: The Social Consequences of Personal Imbalance.

Or maybe, The Social Dementions…

 

Nonsense, Ari, there’s nothing Nature loves more than a good suck

 

I said hi, babe,

Take a walk on the hey line

 

Through her smile two silver fillings winked. The blue roses smelled of bluing. Jerking back his pupils, Shterer remarked that in a game of checkers it was possible for both players to win: when one tried to capture the other’s pieces, while the other played giveaway. For all that, our theoretician didn’t notice that one of the pieces had already been touched.

A quarter of an hour after the first aphorism an outside observer might have acquainted himself with the theory of time’s cuts as set forth in the batting eyes of the lady from across the river.

As applied to love, the theory went like this: memory, “unrolling its long scroll,” may, like a reel of film, be edited. One may cut bits out of both time and the reel and dispense with the longeurs. Thus if one were to make cuts between a woman’s first meeting with her first lover and her first meeting with her second, her third, and so on, that is, if one were to leave what was purest, most sincere, and deeply embedded in memory, the film real onto which we had transposed this series of spliced-together first meetings would show us the woman – with the speed of a roulette ball skipping from number to number – whirling from embrace to embrace and aging before our eyes. To a lawyer, of course, this would recall the article in the Criminal Code dealing with mass violence. Try editing the superfluous out of anything at all, leaving only what is essential , and you’ll see it won’t be to your…

An hour after that last aphorism Shterer was persuaded of its cruel accuracy. Whereas an outside observer…actually, in situations like this such people are superfluous.

The next day Shterer surveyed his pupil for the first time: bending his eyebrowless forehead over his arithmetic book, the boy tugged at his bushy hair as though trying to pull the unknown quantity out of his head; the lamplight shone through his small red ears.

“Just like Ichy’s,”* thought Shterer.

Inside Shterer’s “I” it felt like an unheated room.

[Sigizmund Krzhizhanovsky, “Memories of the Future,” in Memories of the Future, Joanne Turnbull, trans. New York: NYRB, 2009, pp. 153-154]

 

Don’t mourn, pollinate

 

Tensintegrity, mon goose

 

The fire monkey reddens with good humor.

Who else is laughing?

 

In tensintegrity (tension-integrity), a term coined by Buckminster Fuller, when a structure is compressed, or put under tension, the compressive force is distributed equally throughout the structure. When compression is released, the structure springs back to its original form.

 

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